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There are a lot of editorials that have nothing to do with anything like that....
#Robert Creeley
You were saying that once when visiting Yale, you were struck that unlike Pound, Williams's...
#Robert Creeley
Again like Williams, with the emphasis now regrettable, when a man makes a poem, makes...
#Robert Creeley
All of which was OK, as that proved then, I certainly wouldn't contradict it as...
#Robert Creeley
And what's fascinating in The Ten Thousand Things is that although there's time, an inexorable...
#Robert Creeley
First you wonder if they're separate stories, but no, they're not, they're contingent stories and...
#Robert Creeley
He lives out in Orchard Park. I mean, to be able to sit on the...
#Robert Creeley
It's as though all the terms of a family were present at one time rather...
#Robert Creeley
It's the classic story form. All staying equal, or proving equal, or being equal, this...
#Robert Creeley
Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about...
#Robert Creeley
That poetry survived in its formal agencies finally, and that prose survived to get something...
#Robert Creeley
The awful thing, as a kid reading, was that you came to the end of...
#Robert Creeley
The irony of our social group is that so often everyone feels this, but there's...
#Robert Creeley
The pattern of the narrative never of necessity wants to end, it never has to.
#Robert Creeley