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It's kind of dangerous to cut in the camera, but that's the only way I...
#Debbie Allen
Making this movie was a great opportunity for me to explore high-definition. I'm glad I...
#Debbie Allen
Michael Ralph brilliantly plays the street prophet, a West Indian who foreshadows the Harlem riot.
#Debbie Allen
That's the only way I can control my movie. If you shoot everything, then everything...
#Debbie Allen
The biggest challenge was that we had to shoot so quickly and with such a...
#Debbie Allen
The production team's first meeting took place at my house. I had ideas and a...
#Debbie Allen
The radio for these women is like television is for us today, which is really...
#Debbie Allen
The riot isn't seen in the movie, but it is alluded to. He has this...
#Debbie Allen
There are some scenes that work beautifully in a moving, sweeping master, which is how...
#Debbie Allen
I got my dailies every day, although I couldn't always look at them because I...
#Debbie Allen
I use something that is a real staple in the directing world. It's called a...
#Debbie Allen
I'm always moving forward.
#Debbie Allen
In scoring we have a lot that was not evident in the shooting. The radio...
#Debbie Allen
It goes back to a style of moviemaking I remember seeing as a child, in...
#Debbie Allen
Time management is a big part of the director's job.
#Debbie Allen
You have to examine a scene on the page first. Then you get into the...
#Debbie Allen
A director just pushes them a little this way or that way.
#Debbie Allen
As far as pacing the shoot is concerned, I know when I've got it. I...
#Debbie Allen
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