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Nevertheless, in the theatre, and in the cinema, the contemporary reality of Poland has been...
#Andrzej Wajda
On the one hand, we had great filmic spectacles that brought in big audiences, adults...
#Andrzej Wajda
However, that old mode of Polish filmmaking virtually disappeared.
#Andrzej Wajda
In Europe, there is no television filmmaking legislation that could assist film production because private...
#Andrzej Wajda
In the first years after 1989, films were partly financed from the state's budget as...
#Andrzej Wajda
In the first years after the systemic transition, our screens showed American entertainment that had...
#Andrzej Wajda
In the forty years of the people's republic, some of the worst historical traits were...
#Andrzej Wajda
In the same period, Polish literature also underwent some significant changes. From social-political literature, which...
#Andrzej Wajda
It turned out that the country was helpless in the face of a new reality.
#Andrzej Wajda
It was progressively more difficult to find work in the theatre, as well.
#Andrzej Wajda
Language also encodes our past. We want to know who we are. To know who...
#Andrzej Wajda
Also a great part of Polish industry proved to have existed only to support the...
#Andrzej Wajda
As I said earlier, there are no writers who could create a literary vision of...
#Andrzej Wajda
At the same time, television theatre became more visibly active.
#Andrzej Wajda
Cinemas gained new young audiences who wanted films made for them.
#Andrzej Wajda
Even better, there were established two separate committees deciding on state film funding.
#Andrzej Wajda
Eventually, the state's funding covered only the stages leading to presenting a film project to...
#Andrzej Wajda
Films made in the spirit of the past continued to be made.
#Andrzej Wajda
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