However, in modern conceptual frameworks there is a more sophisticated view. I would say that the act of music exists in several worlds simultaneously.

Quote by Robert Fripp

Topics: Robert Fripp Quotes

If an apprentice does not hear what a master hears, is then that quality not...

If an apprentice does not hear what a master hears, is then that quality not...

Michael Giles the first drummer of King Crimson, never agreed to the name King Crimson....

Michael Giles the first drummer of King Crimson, never agreed to the name King Crimson....

I'd say that what we hear is the quality of our listening.

I'd say that what we hear is the quality of our listening.

Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility...

Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility...

To me, Bill's musical heart is in Earthworks, in the jazz they are playing, in...

To me, Bill's musical heart is in Earthworks, in the jazz they are playing, in...

A mistake is always forgivable, rarely excusable and always unacceptable.

A mistake is always forgivable, rarely excusable and always unacceptable.

If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra...

If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra...

According to USA today, the average length of an attention span of a man in...

According to USA today, the average length of an attention span of a man in...

Even within the band, if I cannot manage to persuade the members of what I...

Even within the band, if I cannot manage to persuade the members of what I...

But above that, most mature adults can hold their attention on something for 45 minutes,...

But above that, most mature adults can hold their attention on something for 45 minutes,...

The perception of the audience is the interesting part. If the audience doesn't hear what...

The perception of the audience is the interesting part. If the audience doesn't hear what...

The spoken form is in fact a very restrained representation of what is possible in...

The spoken form is in fact a very restrained representation of what is possible in...

If you are playing repertoire material, you're stuck. There's not huge amounts you can do.

If you are playing repertoire material, you're stuck. There's not huge amounts you can do.

There are no mistakes, save one: the failure to learn from a mistake.

There are no mistakes, save one: the failure to learn from a mistake.

And if you are playing in several meters at once, there has to be a...

And if you are playing in several meters at once, there has to be a...

Music can be transformative, utterly transformative. The act of music is utterly transformative.

Music can be transformative, utterly transformative. The act of music is utterly transformative.

So, you can set up an orchestra down this end of the railway station playing...

So, you can set up an orchestra down this end of the railway station playing...

Linguistic philosophers continue to argue that probably music is not a language, that is in...

Linguistic philosophers continue to argue that probably music is not a language, that is in...

In terms of an identity, an identity reflects an individuality, by definition. And, if there...

In terms of an identity, an identity reflects an individuality, by definition. And, if there...

Then certainly for a musician timing becomes something that is immediately accessible as a concept,...

Then certainly for a musician timing becomes something that is immediately accessible as a concept,...